German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.  Related Paintings of Albrecht Altdorfer :. | Countryside of wood with Saint George fighting the dragon | The Birth of the Virgin | Der Drachenkampf des heiligen Georg | Christ on the Cross | Mary with the Child |
Related Artists:
Jozsef Rippl-Ronai
Hungarian Painter, 1861-1927 After his studies at the highschool in Kaposvar he went to study to Budapest, where he got a degree in pharmacy. In 1884 he travels to Munich to study painting at the Academy. 2 years later he gets a grant and that makes him able to move to Paris and study by Munkacsy. In 1888 he meets with the members of Les Nabis and under their influence he paints his first important work The Inn at Pont-Aven, a very deep paining with dark atmosphere. His first big success was the paining My Grandmother (1894). Later he travels back to Hungary, first the critics does not accept him very warmly, but finally he celebrates a success with the exhibition Rippl-Ronai Impressions 1890-1900. He believes that for an artist there is important not only his work, but also how he lives and what he wears. That is why he becomes also a designer (Andrassy dining room and the window-pane in the Ernst Museum). His exhibitions in Frankfurt, Munich and Vienna have got a great success in 1911-1913. He paints his last big work in 1919 (portrait of his friend Zorka) and in 1927 dies in his villa Roma in Kaposvar.
George Caleb Bingham
1811-1879 George Caleb Bingham Gallery George Caleb Bingham (March 20, 1811 ?C July 7, 1879) was an American artist, whose work depicted his view of American life in the frontier lands along the Missouri River. Left to languish in obscurity, Bingham's work was rediscovered in the 1930s and he is now widely considered one of the greatest American painters of the 1800s. Born in Augusta County, Virginia, Bingham was the second of seven children born to Henry Vest Bingham and Mary Amend. Upon their marriage, Matthias Amend, Mary's father, gave ownership to the family mill, 1,180 acres of land and several slaves to Henry with the agreement that Matthias could live with the family the rest of his life. Henry offered the land and mill as surety for a friend's debt and, when the friend died in 1818, all was lost. George's family soon moved to Franklin, Missouri "where the land was said to be bountiful, fertile and cheap." Bingham was a self-taught artist. His sole childhood exposure to the field was as a nine-year-old boy, when famed American portraitist Chester Harding visited Franklin looking for business, having recently sketched Daniel Boone in Warren County, Missouri. George assisted Harding during his brief stay, an experience that left a powerful impression. In 1823, Bingham's father, now judge of Howard County Court, died of malaria on December 26 at the age of thirty-eight. To keep the family going, Mary Bingham opened a school for girls and George, then twelve, worked as school janitor to help keep the family afloat. At age sixteen, Bingham apprenticed with cabinet maker Jesse Green. After Green moved, he apprenticed with another cabinet maker, Justinian Williams. Both tradesmen were Methodist ministers and, while under their tutelage, Bingham studied religious texts, preached at camp meetings and thought about becoming a minister himself. Bingham also considered becoming a lawyer. However, by age nineteen, Bigham was painting portraits for $20.00 apiece, often completing the works in a single day. He drummed up work in both Franklin and Arrow Rock and, while his painting abilities were still developing, succeeded in impressing his patrons with his strong draftsmanship and ability to capture the likeness of his subject. Soon Bingham attempted to travel to St. Louis to ply his trade but contracted measles, which left him weak and permanently bald. In 1836, Bingham married Sarah Elizabeth Hutchison, who bore him three children over the subsequent twelve years before dying at the age of twenty-nine. George married twice more, first to Eliza Thomas, who died in a mental institution in 1876, and then to Martha Lykins, who lived until 1890. George's mother, Mary, died in 1851. By 1838, Bingham was already beginning to make a name for himself as a portrait artist in St. Louis, his studio visited by several prominent local citizens and statesmen, including the lawyer James S. Rollins who was to become a life-long friend. To further his education, George spent three months in Philadelphia, Pennsylvania before continuing on to New York City to visit the National Academy of Design exhibition. Bingham was elected to the Missouri General Assembly in 1848. From 1856 to 1859, Bingham studied art with the members of the D??sseldorf School in D??sseldorf, Germany. Critics claim that this caused him to abandon the rustic American style in his art. Upon his return, he began painting less, turning to politics in the post-Civil War years and serving as state treasurer and adjutant general. He was also president of the Board of Police Commissioners for Kansas City, Missouri in 1874, appointing the first chief of police there . Toward the end of his life he was a professor of art at the University of Missouri in Columbia, Missouri.
Johann Evangelist
Johann Evangelist Holzer (December 24, 1709 - July 21, 1740) was an Austrian-German painter. Holzer was born in Burgeis, Mals, in the Vinschgau Valley of South Tyrol, as the son of a miller. He was sent to undertake a classical course of study at Marienberg Abbey, but wished to study art; a portrait he painted of Johann Baptist Murr, then the abbot of the abbey, convinced his father to yield to his wishes. He studied under Nikolaus Auer and made rapid progress. At the age of 18 he painted the altarpiece of the Marienberg Abbey church, depicting Saint Joseph as patron of the afflicted, ill, and dying. He then went to Straubing, where he learned under Joseph Anton Merz how to paint frescos, which would become the main source of his later fame. He helped Merz paint the frescos of Oberalteich Abbey, and while in Straubing also painted Saint Anthony of Padua for the Franciscan church there. 1738/39 was in the painting of Eichstätt for the high altar of the Schutzengelkirche It is Holzer's largest painting on canvas (H: 8,36 m; B: 4,28 m) and impresses through movement, gesture, a dynamic composition, and a sophisticated lighting design. Although there are two pictures (side altars) signatures of Bergmeller, they will Holzer, assigned by the archives occupied painter of the high altar painting.